If you want to see a film on par with The Hitcher, but well under the capability of Michael Douglas in Falling Down, you could do worse. I think I will watch Falling Down again.
It would be nice to see what DiBlasi could do with a smarter script.
I appreciate these films more now in hindsight than I ever could when I was younger. With less time to waste, this trilogy finally feels like less a waste of my precious hours.
It’s not a disappointing film. It’s just not memorable either.
A weak third act tears down the momentum of what could be a classic film.
The events don’t pan out to much more than what has been portrayed in other, better films. It’s not a bad onboarding spot. Just don’t settle here and think you’ve seen a great mob film.
…it’s more of a pitstop on the road to some place better.
Written and Directed by David Koepp based on the novel by Daniel KehlmannStarring Kevin Bacon, Amanda Seyfried, Avery Essex, Geoff Bell, Lowri-Ann Richards You Should Have Left is a good […]
If you expect this to be a version of 10 Little Indians, you’d be right. It is handled about as well as one can imagine. It didn’t feel like a waste of time, and it made us curious enough to look up Cthulhu.
Overall, the film is a good story. It is inspiring to see people succeed through the gifts God gave them, even when they forgo the giving of thanks.
For those who are looking to enjoy the development of Mifune as a lead actor, this is worth watching.
“From an historical perspective, perhaps one can understand this being a Criterion release. I know some of this is dependent on what they can get the rights to overall. As a film, this one is kind of forgettable, if technically proficient. It’s a good first attempt. “
They lost me at “How does one afford a trip to Antarctica?”
The Hunt is the type of film that sets itself up as a clash of ideologies. Deep down, it’s just an excuse to go through a bunch of silly characters until the final two alphas fight over toasted cheese.
As for Reitman, this movie is right in the middle of the road, for his work. It’s not nearly as good as Dave, Stripes, Ghostbusters or Kindergarten Cop, but it’s not nearly the shitscape of Junior, Six Days, Seven Nights or Evolution. There is fun here, and a little bit of talent. There’s a whole lot more typical ’80’s bland movie making.
We get the absolute creeps from Esther’s relentless mowing through one character after the other, innocent or not, knowing what it is she ultimately has in mind. Still, there is not enough here for more than a mild recommendation.