The Peanut Butter Falcon (****) – Bound for Glory
If you have free time this weekend, give The Peanut Butter Falcon a shot. It’s on Amazon Prime and Hulu right now and the story, atmosphere and heart would do a viewer good on a hot summer night.
Sorry To Bother You (**) Comedy + Woke = Not funny
Riley and company might create a compelling version of his story a few films from now. For now it just feels like something we’re supposed to learn, which is rarely funny.
Another Look: Casino (**1/2) is a stale imitation
It’s one of the fruits of the labor of a great career that he’s been able to keep remaking the same film over and over. This doesn’t make the stale fruit taste any better.
The Man From Nowhere (*****) Supernova
If you see only one more action film, let this be it.
Another Look: Heist (****) Is refined gold
Hackman’s natural style works perfectly with Mamet’s prose. His dialogue is direct, sometimes crude, but never frivolous.
The Grudge 2020 (***1/2) – This is a side-quel
A well acted, decently filmed, but unneeded sequel. That’s the best definition of a side-quel I can muster.
Forgotten Gem: About A Boy (*****) He’s Expressing You
The list of movies I have been putting off is shrinking by the day. Add another classic to the list.
Popstar: Never Stop Never Stopping (***1/2) almost taps it
In all it does what you want good comedies to do by giving several re-watchable moments and leaves a pleasant smile on your face. Great comedy risks more, but these guys have friendships with most of the people they are skewering. That’s okay, though. It’s only a Friday stuck at home in Covid 19 season.
Criterion: Zatoichi Meets Yojimbo (***): Feels like number 20
It’s not a disappointing film. It’s just not memorable either.
Criterion: Samurai Rebellion (****1/2): Receive the wife, free the wife
For those worried that Mifune’s film quality might recede without his great collaborator, this is exhibit D (The Samurai Trilogy being A, B and C) that his instincts were good.
The Lives of Others (*****) …for a good man
This is one of the better films of the last 20 years. It only took me 14 years to see it.
Criterion: The Sword of Doom (***) doesn’t land flush
A weak third act tears down the momentum of what could be a classic film.
Criterion: Red Beard(****) -Kurosawa’s Last with Mifune
This is not Kurosawa’s best work. In many ways, it is a film of its time. Much of Kurosawa’s work is more of the timeless quality. This feels like something one might have seen from some of the better television dramas of the 1960’s. For that, it is still worth our time.
Hulu’s Palm Springs (****) is better than most repeats
This film made me and my wife laugh on a Friday night, when going somewhere isn’t an option. It’s the most ridiculous type of praise to say it’s worth watching again when every day is a copy of the last.
Netflix’ The Old Guard (***1/2) is just beginning
“There is one bad guy to put up a fight, and he is saved for the right person. You’ll know it when you see it. And you should see it. If for no other reason than to get ready for part two, which should be pretty good.”
Criterion: High and Low (****) Parasite from the age of the morality play
The director’s master of wide screen is such an art by this point that it feels like an entirely different story is being told for long, wordless passages.
