The filmmakers get credit for trying something new, even if that effort doesn’t quite make the end result more fulfilling. It just makes something similar, but not quite the same as we’re used to seeing every Christmas.
a worthy, if occasionally slight tale that serves as a solid springboard for a Marvel franchise that right now is happy to have one.
Save your time and watch something original, or at least something that can create a mood beyond waiting for the credits.
If one finds any of these segments more scary than annoying, they’ve got a lot of patience and not much in the way of expectations when it comes to story telling. It’s not easy to envision the future of film making in this crowd.
The cast, director and writers all work to express a respect for the material.
What this or the mid-credits scene does for the DCEU started by Zack Snyder is unclear. For now, you have a decent, entertaining DC film which is not terribly different than the rest of them.
For those who are patient enough to hang back, the end result is solid enough. Especially if one likes details.
This film, just by its differences, makes the first two Gordon Green films instantly better.
As bad as it is, A Bay of Blood stands as a moment in time for cinema.
Most women, whether on a bicycle, or a motored device, don’t get into road rage situations. They have no need to express themselves on the freeway.
Lucky viewers will get to see the film as a kid and enjoy it once more when they’re older.
It’s quite remarkable to think that this is the first full length feature of the writer/director. It’s even harder to believe I have never seen or heard of Sosie Bacon until today.
Save your time. Don’t watch this film.
We are not outside of the danger. It’s there waiting for us.
It’s hard to enjoy a truly disturbing film like this so much as one can just appreciate the effort.
Outside of Hanks, Elvis is a nice montage of history. Just like his life. Blink and you’ll miss it.