Walk through the past, when Frankenstien scared kids like my dad at age 5.
The brilliance of the Marvel Cinematic Universe is it literally encompasses everything one can imagine. If it hasn’t been covered up to now, Shang-Chi… is evidence that it will all come in good time.
This is truly a film that is worth waiting through a pandemic to see on the big screen. It will also be something worth watching at home for years to come.
This is the right story for someone of Johansson’s ability, stature and sense of self.
Minari is the type of film that feels more like a moment in time that can forever change the life of the person who experiences it.
There are plenty of comedies of any era that don’t age well. Try one that work at such a human level, one would be hard pressed to avoid relating to it during any era.
It’s not the landmark that The 40 Year-Old Virgin is, but it’s definitely a few rungs above the normal comedy film.
James vs His Future Self has a depth of feeling unlike most films, yet it is also scientifically interesting without relying on special effects. It resists being something we’ve seen before, and never stops entertaining.
This is not a perfect film, but it’s a damn entertaining one. Mulan gives as forceful a message for equality as one can give without pandering whatsoever.
There is a lot of sequel potential here, but only if Nolan continues himself. It’s the kind of plot device that could go straight to hell if not handled right.
…it’s remarkable how far a medieval ballad can reach through time, even if what comes out on the other side holds little resemblance to the significance of the tale.
For those worried that Mifune’s film quality might recede without his great collaborator, this is exhibit D (The Samurai Trilogy being A, B and C) that his instincts were good.
It’s a pleasant consequence of having the skill to turn above average into the unforgettable. These films should not be important bedrock films. Yet here they are, standing head and shoulders above, almost 60 years later.
Like anything Kurosawa does by now, it’s completely worthwhile and a keeper for the memory book. No one has better control of the images one sees through lighting, angles and dialogue. He controls the mood of the viewer at his whim. It’s hard to imagine a better film maker from his time.
Spike Lee makes a great film, then he takes a dump in the credits with easily refuted claims through selected editing. Why?
Like the best art, we learn something about humanity and the will to persevere.