It’s a remarkable story that presents the facts with no indication of a position being taken. In doing so, Forsyth allows Robinson’s work to forge its own path through our soul.
Give this one a try, if you’re desiring to feel an experience, free of routine and common gimmicks. This is my vote for more work for Frank and Taylor-Joy. And someone start digging up more stories by Walter Tevis.
How one reacts to The Lie will depend on how far along they ride with its conceit.
If that sounds like too much to cover in a movie, it’s not. The three hours fly by and justice is served.
We don’t see a plethora of shots in their entirety, but the only trick I want to see is how Strathairn can move us with so few words.
If ever there were a modern story that touched on the beautiful losers vibe of William Faulkner in the post WWII era…
If you have free time this weekend, give The Peanut Butter Falcon a shot. It’s on Amazon Prime and Hulu right now and the story, atmosphere and heart would do a viewer good on a hot summer night.
Riley and company might create a compelling version of his story a few films from now. For now it just feels like something we’re supposed to learn, which is rarely funny.
It’s one of the fruits of the labor of a great career that he’s been able to keep remaking the same film over and over. This doesn’t make the stale fruit taste any better.
The list of movies I have been putting off is shrinking by the day. Add another classic to the list.
This is one of the better films of the last 20 years. It only took me 14 years to see it.
This is not Kurosawa’s best work. In many ways, it is a film of its time. Much of Kurosawa’s work is more of the timeless quality. This feels like something one might have seen from some of the better television dramas of the 1960’s. For that, it is still worth our time.
The director’s master of wide screen is such an art by this point that it feels like an entirely different story is being told for long, wordless passages.
Hud may take liberties with the original material, but the greatness of the story shines through. It’s a remarkable story that feels timeless. If you want to understand humans a bit more, you should give it a try.
Like anything Kurosawa does by now, it’s completely worthwhile and a keeper for the memory book. No one has better control of the images one sees through lighting, angles and dialogue. He controls the mood of the viewer at his whim. It’s hard to imagine a better film maker from his time.
See this film if you want to smile, but don’t expect to go away with the idea that stoicism is easy. Even if Mifune makes it seem that way.