Thor Ragnarok (****) a well-placed step towards the inevitable

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Thor: Ragnarok – 2017

Director Taika Waititi
Screenplay Eric Pearson, Craig Kyle, Christopher Yost
Starring  Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins

I feel bad for Chris Hemsworth. By the time most of us knew he was funny, we already had seen Guardians of the Galaxy. Now, several years and another Guardians sequel later, we get a humorous movie that’s energy feels borrowed as much as anything.

Thor: Ragnarok is a very good film. It’s got more spectacle than the other two films in the sub series. It’s got more character and it’s much more enjoyable. Sad truth is both Thor films are the least likely to be viewed by most fans because outside of Hiddleston, there isn’t much more to enjoy for those films. Whatever charisma Thor is granted is more than undone by Natalie Portman’s wooden acting. This time, there is nothing holding back the God of Thunder. Except for maybe that thing they have attached to his neck.

After discovering the true location of his father, Thor finds that he is near the end of his life. What’s worse, he drops some info about Thor’s unknown older sister, Hela. Hela (Blanchett) is bad, of course, and powerful as hell. She once had her father’s favor, until her ambition outweighed that of Odin (Hopkins). Then he gave her the Zod treatment.

Hela breaks out and quickly dispatches Thor and Loki into an oblivion called Sakaar which is the home to one of the Elders of the Universe,, The Grandmaster (Jeff Goldblum). Anyone who doesn’t know who he is pitted against here, hasn’t looked at any promotional materials for this film.

The best part of this film is the humor, but if it’s possible to have too much of a good thing, they’ve certainly tried here. So frequent are the jokes, there feel to be no stakes. Perhaps if they’d laid the groundwork at all in either of the previous two entries, it wouldn’t feel so out-of-place. All of the sudden, we have the guy who never gets it, leading with the jokes.

The stakes of this film are pretty high, though. We’re on the cusp of Infinity War, and actions in and around this film look to be contributing directly to its inception. There are several significant losses in this chapter. While no one seems to have time to even ponder the significance of their departures, there are plenty of opportunities for yuks.

These laughs are pretty damn good, though. I can’t thank Marvel enough for letting Jeff Goldblum in the door. His contributions alone are worth more than any of the myriad effects. There is nothing better than seeing him barely scrape the surface of an incredibly powerful character and just make it seem like he’s out for a never-ending good time.

Hemsworth is very good, and his ever developing chemistry with Hiddleston is fun to experience. Knowing that he could have been this same funny guy 2 Thor films ago makes it just q little weird now, but oh well.

Blanchett takes the same doomed baddie and puts her incredible beauty behind it. She seems right at home in this universe and they leave enough ambiguity to make one realize she could be called on later by someone who is in love with The Goddess of Death.

Loki (Hiddleston) is delightful and they give him a variety of things to fail at, until he fights on the right side. Elba is finally given something to do, and he looks gorgeous while doing it.

Mark Ruffalo is here and he spends much of his time outside of Hulk looking perplexed. It fits the theme of someone who was stuck inside the green giant for over two years. Tessa Thompson, as Valkyrie is fine as the lynch pin required to move all of the cosmic tumblers into place. She handles her role with a surprising amount of casual grace.

Waititi is a pleasant enough choice for this film. He adds a gloriously distracting color palette along with a memorable character Korg, who has several of the film’s best lines with a beautiful delivery. His addition of Rachel House as The Grandmaster’s bodyguard doesn’t work for me, if for no other reason than it’s the same annoying character House played in The Hunt for the Wilder People. I am pretty sure I am in the minority of people who found that film a tad overrated. I really can’t tell you anything technical he might have added to the film, because by now that stuff is pretty much handled by the Marvel house. They brought him in for the humor and that’s what they got.

In all, this is a fun film that is as good as one could expect coming from one of the heretofore most boring parts of the Marvel Cinematic Universe. If it feels a bit underdone, it’s because it still follows the formula of megalomaniac who almost has it all until she doesn’t. Marvel has done a great job making their formula interesting, even if the characters (outside of Steve Rogers) evolve at a snail’s pace. If the Marvel movie formula is still stuck in the mode of dragging these characters in and never quite letting them go, well, one can understand why. It’s comic books, man.

The thing that holds Thor back, like with many of their characters, is that nothing really drags him down and out once The Immigrant Song begins to play.

(**** out of *****)

 

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CPE, Em & El: Thor: The Dark World: More Loki, anyone?

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Thor: The Dark World – 2013

Director Alan Taylor
Starring Tom Hiddleston, Chris Hemsworth, Natalie Portman, Anthony Hopkins, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano, Jaimie Alexander, Rene Russo
Screenplay Christopher Yost, Christopher Markus, Stephen McFeely

It’s no surprise that Loki is one of the first characters that you see after the prologue of Thor: The Dark World.  It’s a short scene, with a scolding from father Odin (Hopkins) and a wayward look from his mother Frigga (Russo).  It feels like a tag along scene, after the events of The Avengers.  We already knew he was going to be locked up, so why do we need to see it played out this way?

The answer is obvious.  Hiddleston, the big surprise from the first film, is so good as the villain, the film struggles to move forward without his gracefully devilish grin.  For this reason, we have many scenes with him locked up, even seeing a bunch of other goons broken out of jail.  He even helps the bad guy (Kurse, played unrecognizably by Akinnuoye-Agbaje) escape, while he remains behind.

We are treated to the obligatory “If you betray me, I will kill you,” scene before his brother, Thor (Hemsworth) lets him out of his imprisonment.  After this, we get to see this same sequence repeated ad nauseam with seemingly every supporting character down the line.  This scene is a waste of time for any actor, but at least Hiddleston seems to enjoy the attention, no matter how it is received.  Thank goodness for that.

Thor’s second time out may not be Shakespearian masterpiece that the first film almost was, but it is not bad, in any sense.  It suffers from the strength of its superhero, who we discover from Odin is not actually part of a race of Gods, but rather just a strong race of individuals who can endure for 1000’s of years.  If he is not unbeatable, that hammer sure is.  The thing about Loki is that he doesn’t use his brawn.  Up to this point, the filmmakers of the Thor films have not had to worry real hard about creating a nemesis.  This method worked well in his first two appearances.  Now, as we see Thor’s foes, Kurse and Eccleston’s Malekith, we anxiously wait for him to find a reason to do something other than swing that huge hammer.

Sadly, any thought that is required of the good guys comes in the form of the same braintrust that they had in the original.  This means plenty of face time for Portman and, more unfortunately, seeing Skarsgård in various states of disrobe.  Supposedly it helps him think more clearly when he acts like a loon.  Portman is a little less annoying this time through, even if she still is not a believable genius.  Dennings is still more than capable comic relief as an intern, this time with one of her own (Jonathan Howard).

The screenwriters and Taylor tone down the Hamlet this time, of course that story has been told.  Taylor’s talent for utilizing characters employed so effectively in Deadwood works on Asgard.  Russo leaves a mark in her brief turn, and it is a nice surprise.  Hopkins seems more baffled with each movie, and that suits the aging Odin just fine.  Thor’s band of misfit warriors are briefly used once more, but at least they seem to have a place in Asgard as something other than merry men (and one stoic woman).  It’s nice to see an expansion of Alba’s Heimdall, as his one action scene is an intense moment.  

The weakest part of the story is the megalomaniacal nature of the foe (is there any other in Thor’s universe?).  The plan to take over the “9 realms” has more to do with timing than anything, and the convenience of it all gives nothing at all as grist to the plot.  It all leads to a battle that is loony toon to the point where one wishes the hammer could end it all.  Instead, we get to see the puny humans run around looking frail, weak, and even worse, like Skarsgård.

There is a new mcguffin in the form of a red liquid called Aether.  That, with the Tesseract +3 other elements will get you something in a future film, no doubt.  Do we get more Loki?  If we do, we’ll definitely be entertained to an extent that he is on the screen.  Hemsworth has shown a capability to wear Thor’s wig and not look too much like a fool.  He needs more than what we’ve seen as a supporting cast on Midgard to make it work.

(***1/2 out of *****)

El’s Review

I thought THOR DARK  WORLD  was fine I liked the  funny parts.  The  next  one will probably be better.  Part 3.

(*** out of *****)

Em’s Review

I liked Thor Dark World.  It was really funny.  It had the right amount of action.  I did not like the things what were creepy, though.  The dark elves.

(****1/2 out of *****)