So here we are, the main event. Where does this series go now?
Watching Bob Odenkirk live out his John Wick fantasy is a treat for any asshole who pictures himself something of a wolf in sheep’s clothing.
We’ve lost many of this cast that could have been good for a few more films at least. Where do we go from here when this film makes us want to go back?
There is a tacit understanding within the bounds of Promising Young Woman that men of college age and above are perverted cowards at best, rapists at worst.
This film is a good time showing beautiful bad people.
This is a solid entry for Netflix. In picking Blakeson, a mildly accomplished director with a good, albeit short track record and allowing him to thrive, its very clear indication that they’ve turned a corner as a studio.
Every fair minded person will find positives and negatives in this film. The woke will just bring their own weather with them.
Viewers won’t find premises as creative as this often in movies. Even if not explored to the extent desired, it’s still entertaining and somewhat intriguing. One just wishes that the peripheral characters held any interest at all.
The gifts that Craven had as a storyteller would not be acknowledged here, as this film made the least of the entire series. There is little accounting for taste or reaching beyond the same old stuff.
Crichton understands well enough how to keep the viewer involved, even if the story is compacted to get the viewer in and out in standard time.
If you ever enjoyed Vaughn and wondered where his comic chops have gone in the last decade, look here. His skill at evoking laughter from a mixture of intelligence and physical comedy is near top form.
Bob Clark is best known for directing A Christmas Story. This sorority slaughter fest is his 2nd most famous Christmas film.
This film is recommended for anyone who wants to feel like they’re on the verge of something – good or bad
The best thing about the Never Hike… series is the way it takes its time getting to actual kills. It has confidence and is in no hurry.
We don’t see a plethora of shots in their entirety, but the only trick I want to see is how Strathairn can move us with so few words.
A well acted, decently filmed, but unneeded sequel. That’s the best definition of a side-quel I can muster.