This is the best attribute about Copshop: viewers go in expecting one thing and they are delighted by the different talents that is worth following elsewhere.
Michelle Yeoh plucked this viewer out of the haze and made a lasting impression.
As it turns out, Marvel made the right choice. Candyman, the “spiritual” (instead of exploitive) sequel to the 1992 original, is superior in every way. In fact, this film is so good, it makes Bernard Rose’s film essential viewing, if only to complete the context.
Written and Directed by James GunnStarring Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Sylvester Stallone (voice), Viola Davis, Jai Courtney, Peter Capaldi, Daniela Melchior, David Dastmalchian Idiris Elba is […]
If you like stories with morals that haven’t been re-written in the last 12 years, The Green Knight should entertain. The result feels more entertaining and less tainted by modernity
The best thing about that first film, however, is the best thing about the second film: Millicent Simmonds.
Notaro especially is worth the price of admission, with her wry comedic observations wafting through the heavy air like a wisdom to which the rest of us are not privy.
Those Who Wish Me Dead is an above average thriller (with an awful title) where women are allowed to shine without making the film look too woke for the willing suspension of disbelief.
It’s not necessarily a reinvention, but the same story in better hands.
So here we are, the main event. Where does this series go now?
Watching Bob Odenkirk live out his John Wick fantasy is a treat for any asshole who pictures himself something of a wolf in sheep’s clothing.
We’ve lost many of this cast that could have been good for a few more films at least. Where do we go from here when this film makes us want to go back?
There is a tacit understanding within the bounds of Promising Young Woman that men of college age and above are perverted cowards at best, rapists at worst.
This film is a good time showing beautiful bad people.
This is a solid entry for Netflix. In picking Blakeson, a mildly accomplished director with a good, albeit short track record and allowing him to thrive, its very clear indication that they’ve turned a corner as a studio.
Every fair minded person will find positives and negatives in this film. The woke will just bring their own weather with them.