The Unbearable Weight of Massive Talent (****) has the hook
It’s a beacon of acting light that could only be ruined by making a sequel.
Thor: Love and Thunder (*****) – Not everybody gets a hammer
Natalie Portman was the least appealing aspect of the first two Thor films. When she was not in on the third film, the series completely hit its stride for the first time. Now she’s back. Will it kill the vibe in the room that Taika Waititi brought with him for Ragnorok?
The Black Phone (****) Please be real…
One will definitely feel like they’ve gone through hell in the seventies when they come out of this movie.
Jurassic World Dominion (**1/2) Wilting under the shoulders of giants
The film is at its best when the original Jurassic Park crew are onscreen.
Top Gun: Maverick (****) reaches new highs
Smart enough to leave room to grow.
The Amityville Horror theatrical films reviewed
Is this series worthwhile or is it just one big Golden Sombrero?
Men (****1/2) Eve bit the Apple
The effectiveness of a film like this is it even has this viewer questioning the nature of his relationship with his own wife. Is there a partnership there, or is it a threat?
Dr. Strange in the Multiverse of Madness (****) is fantastically warped
One thing is for sure, Dr. Strange in the Multiverse of Madness is rewatchable.
The Northman (***1/2) The Thread of Time
Written and Directed by Robert EggersBased on The legend of Amieth by Saxo GrammaticusStarring Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk, Willem Dafoe There is a […]
Moonfall (**) rises just enough
Moonfall is the same movie Emmerich has been making since his days with Dean Devlin.
Everything Everywhere All at Once (***) – Goes a long way for family drama
The end result is somewhere between Wes Anderson and David Lynch, which can be good or bad depending on one’s point of view.
Morbius (**1/2): Save vitriol for the short running time
If you don’t see this film, that’s fine. The hints in the trailer are probably enough. If one does see the Morbius, they likely won’t love it, but they also will not hate it. It’s there to give you a rundown of what this living vampire can do, and for not much more.
Ti West’s X (***1/2) is best if you can ignore the makeup
We know something is coming, and we are pretty sure what is coming.
The Lost City (****) is worth finding
If you have any appreciation for the journey or even just the incredible skill of Bullock, give The Lost City your time.
Shudder’s The Room (***1/2) is better than it should be
This is not necessarily something that would succeed on the big screen. It is definitely something worth watching after dark on a weekend.
Another Look: Almost Famous Bootleg Cut (****) feels real but still too perfect
In Almost Famous, we have all problems wrapped up in a nice little bow with not much more than smiles to remember. There should have at least been some sort of venerial disease as a result of all that messing around.
Ebert Did It Better: Gasbag Reviews 