"This film is a must for fans of Michael Shannon. It's yet another example of his powerfully subtle presentation skills. If one can get past the fact that it stars Spacey, this is film will delight, inform and entertain the viewer."
Harbour is actually really good as Hellboy. He makes the character within the lines that Perlman draws, but he also makes it very much his own. There is much more nuance with fewer annoying characters to bounce off of in this rendition. He's at least on par with his incredible predecessor.
The Silence - 2019 Director John R. LeonettiScreenplay Cary and Shane Van Dyke based on the book by Tim LebbonStarring Kiernan Shipka, Stanley Tucci, Miranda Otto, John Corbett, Billy McClellan Just about the time when The Silence meets it's ultimate antagonist, The Reverend (McClellan). My daughter came downstairs from studying. It's her spring break, so … Continue reading The Silence (*1/2) rightly gives up in the last act
A significant understanding from one of those who should have swooned to the marketing of this film. Even if more disenfranchised than I am by the obvious pandering, Louisa puts this better than I could.
In the first female-led entry in the successful Marvel Cinematic Universe (MCU), “Captain Marvel” is a bit like its titular character: confident yet flawed. The gender politics are strong in this one, but that’s not the reason it left me disappointed. It was the insistence on rushing to fill in the blanks of the story, at the expense of the character, before next month’s “Avengers: Endgame.”
“Captain Marvel” tells the origin story of U.S. Air Force Pilot Carol Danvers (Brie Larson), a woman who becomes one of the most powerful heroes in the universe after she crash-lands an experimental aircraft. After being taken captive by aliens, she becomes tangled in the middle of a war between two alien races and escapes to Earth. When a happenstance meeting between Carol and Nick Fury (Samuel L. Jackson), the pair begin to discover shocking things about…
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"It's a rough haul either way, but the newer story has a bit more acting in it overall, even if it's not quite enough to recommend."
"The concept of the film is relatively simple, Big with super powers. If we limit our expectations to this idea, we're in for a decent surprise. The characters are painted simply, but given a shade by a plot that seems predictable in hindsight. The pleasant part to the viewer is one enjoys the film enough to be swept into the story without necessarily considering that fact."
"If I could, I would edit out most of the dialogue spoken by anyone but Hiccup, Astrid, Valka, Stoick and Abraham's Grimmel the Grisly. It would not change the comprehension of the story one bit and it would definitely allow us to enjoy Toothless and his White Fury more. Anyone who owns cats will like this film for their interactions alone."
"The Warren Beatty film has received a gentle critical wind in the ensuing years, remembered more for its groundbreaking violence than for any of the many nominated performances. In retrospect, its not a bad film, but it's not a classic, either. The main thing it lacks is a cohesive story that's not real accurate with any amount of character development. "
"The film is not a classic, though it is incredibly good. The predictability of the film outweighs the quirky, threadbare premise that we're supposed to take on faith. I just can't believe there are that many subways that have been abandoned, yet so clean, for so long. Even though this film makes me want to believe."
"The Kid is a good film with a limited scope. D'Onofrio manages to keep things within the realm of the legend as we know it and add a little something extra. Here's one vote to see the great actor work a little more on becoming a better director."
