Netflix and Scorsese’s The Irishman (***1/2) – Charge with a gun; with a knife you run away

The biggest challenge for this viewer is when it comes to true crime sagas, Scorese peaked with Goodfellas and he's never really come close since.

X-Men: Days of Future Passed / The Rogue Cut: We can go anywhere from here

The Rogue Cut is like the bloom of a rose the day after you thought it had reached maturity. Instead of beginning to wilt, it flows even more thoroughly from its core, giving the bloom a depth and resonance it never had previously. The interesting thing about it though, is that it's not only or even primarily because of the sequence of Anna Paquin scenes that this version of X-Men succeeds.