“After four Avengers films, they’ve finally made the perfect one. There’s but one overly gratuitous moment for me. It easily washes out, though, when the rest of the film feels so comfortable, so tense and anything but inevitable.”
The one who benefits most from this arrangement is Lilly’s Hope, who continually marches through each predicament with the smarts of Hermione and the physical prowess of Wonder Woman. She is the best part of Ant-Man and The Wasp. Nothing she does is done for the sake of being a woman or in spite of it. She’s out to accomplish objectives.
Netflix is pushing out a lot of stuff that is not being picked up other places. They are grabbing a lot of properties and talents that are on a downward swing. If they keep this trend up, they may need to change the name of the company to Developed Hell.
The film works best when it concentrates on the relationship between the two protagonists. Rudd and Roberts play well off of each other, and when it goes deeper than words, it’s believable and entertaining. If they’d given the bit players smaller portions, the story might flow better.
The story surges ahead and it really is quite centered, despite the number of characters involved. The premise is a simple one, yet the questions it asks are profound. It really extends on the premise on how we want to be governed. Do we want to fulfill our own destiny, or do we want to push that responsibility to the side in wait of the judgement of others who may or may not be wiser.
This movie is Paul Rudd, through and through. It is the role he’s deserved after a career of being the best part of every film he’s made. He does not waste his moment in the spotlight, and the film is all the better for it. There is heft to the film, but with his performance, it doesn’t have to be an obnoxious weight. If he’s not as serious as Captain America, he is every bit as earnest. Marvel’s Cinematic Universe needs Rudd every bit as much as it needs Downey, Jr. or Pratt.
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