Category: Ratings
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Adrift (***) is steady as she goes
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Overall, the film is a good story. It is inspiring to see people succeed through the gifts God gave them, even when they forgo the giving of thanks.
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Another Look: Can we all admit Saving Private Ryan (***1/2) is good sentimental B.S.?
The soldiers deserve the knowledge that we cannot or will not forget their sacrifice. Then we can work to earn the freedom they gave to us, like Captain Miller wanted Private Ryan to do.
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Criterion: The Hidden Fortress (****) Gold in the wood
This is a good film, with some wonderful elements. Even if it is a bit too indulgent with wackiness, the story and Kurosawa’s eloquent use of wide screen are worth repeated viewings.
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Criterion: The Lower Depths (****) life by the drop
Into this miserable world walks an old, happy man (Hidari) who has something positive and distinct to say for everyone. This is enough to get several of the stories to explode into the open.
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Criterion: Throne of Blood (*****) is a tragic beauty
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It’s hard to list Kurosawa’s films in terms of greatness. Ranking is almost impossible.
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Criterion: Samurai III: Duel At Ganryu Island (****) settles down
The last installment of the trilogy narrowly avoids greatness by concentrating on the love story. It’s not that any of the storylines are done poorly. On the contrary, they’re about as evocative as was possible at the time.
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Criterion: Samurai II: Duel at Ichijoji Temple – is giant
Musashi’s presence is undeniable as the burgeoning samurai. His is one of the giant characters in episodic history, every bit worth the value of the legend he represents.
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Criterion: I Live In Fear (*****) has reason on all sides
Kurosawa, Shimura and Mifune by this point are in full swing. There is nothing in the world that matches their ability to relay a story.
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Criterion: Samurai I: Musashi Miyamoto (****) begins a great adventure
This is definitely a star turn for Mifune, if there ever was one. His performance is exceptional and layered.
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Criterion: Vendetta of a Samurai (****) – Correcting a history of violence
Mifune, learning from his mentor (Shimura) a sense of subtlety, is able to further his effectively obvious passion through restraint. Even without words, we understand both perfectly.
Ebert Did It Better: Gasbag Reviews 