For anyone who wondered why there haven’t been any ABC After School Specials featuring murder, I present this film.
Flanagan is once more creating life out of illusion.
This film is one we’ve seen before, but somehow it’s still worth remembering on its own merits.
…this is mostly an excuse to show some very capable killer ladies strut their stuff on screen for in just under two hours. This is more than enough for me.
While I would not call this film a classic by any means, it certainly does entertain more than most films that premiere on Netflix.
There is next to no thrill the viewer gets from seeing Adams huff her way through the scenes, wondering if she’s imagining things or if her life is even worth living.
Notaro especially is worth the price of admission, with her wry comedic observations wafting through the heavy air like a wisdom to which the rest of us are not privy.
“There is one bad guy to put up a fight, and he is saved for the right person. You’ll know it when you see it. And you should see it. If for no other reason than to get ready for part two, which should be pretty good.”
This movie should suck, but it doesn’t.
“The track record for Flanagan is astounding. His output is prolific and is always appealing. Every one of his films, even those he has adapted, feel like a part of a patchwork.”
We deal with many societal aspects: racism, sexism, orientation, ageism. Points are made in a rush, because they only have a minute to vote. Then boom. Gone. On to the next angle of persuasion.
The biggest challenge for this viewer is when it comes to true crime sagas, Scorese peaked with Goodfellas and he’s never really come close since.
“The producers consulted the Chinese Academy of Sciences, though what questions they asked is not immediately clear. I’d like to think I know at least as much as the average college graduate about the physical sciences, but they lost me when the Earth stopped rotating. “
“Romantic comedies too often forget the second part of that description. Wong and Park put the emphasis on the comedy and leave the romance to fend for itself.”
“The Perfection is one of the few films in which the trailer seems to give it all away, but it really serves to set the viewer up for something entirely different. This is primarily a pleasant surprise. “
“I saw this film on a dare from someone who saw the first 10 minutes then fast forwarded to the end. Both he and I had seen this film pushed to the top of our Netflix login, saying there was a 90+% chance we’d like this film. Not sure what the criteria is, but it’s not nearly as accurate as those Amazon adbots that put items similar to what you were browsing for on every future page you visit. He wins, even if he saw only 5 minutes less than I did. “