Category: Action
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Guns Akimbo (*) is SJW disguised as comedy
For me, I will stick with Running Man. It’s dumb too. Just not as preachy. And I will hold out for filmmakers who are actually bold, and not just gross and silly.
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Criterion: Yojimbo and Sanjuro – The Masters at play (****1/2)
It’s a pleasant consequence of having the skill to turn above average into the unforgettable. These films should not be important bedrock films. Yet here they are, standing head and shoulders above, almost 60 years later.
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Timeline (*) is out of sync
This is what happens when one takes B-Level material by a good writer with a director who is kind of through with the hassle of being a director.
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Forgotten Gem: Slap Shot (*****) is as good as it gets
The real surprise and the definite treat of the film are the Hansons. They have such an innocence and exuberance for the game of hockey, they carry whatever portion of the film that is not being driven by Newman.
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Underwater (***) holds enough air
If you expect this to be a version of 10 Little Indians, you’d be right. It is handled about as well as one can imagine. It didn’t feel like a waste of time, and it made us curious enough to look up Cthulhu.
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Adrift (***) is steady as she goes
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Overall, the film is a good story. It is inspiring to see people succeed through the gifts God gave them, even when they forgo the giving of thanks.
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Another Look: Can we all admit Saving Private Ryan (***1/2) is good sentimental B.S.?
The soldiers deserve the knowledge that we cannot or will not forget their sacrifice. Then we can work to earn the freedom they gave to us, like Captain Miller wanted Private Ryan to do.
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Criterion: The Hidden Fortress (****) Gold in the wood
This is a good film, with some wonderful elements. Even if it is a bit too indulgent with wackiness, the story and Kurosawa’s eloquent use of wide screen are worth repeated viewings.
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Criterion: Samurai III: Duel At Ganryu Island (****) settles down
The last installment of the trilogy narrowly avoids greatness by concentrating on the love story. It’s not that any of the storylines are done poorly. On the contrary, they’re about as evocative as was possible at the time.
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Criterion: Vendetta of a Samurai (****) – Correcting a history of violence
Mifune, learning from his mentor (Shimura) a sense of subtlety, is able to further his effectively obvious passion through restraint. Even without words, we understand both perfectly.
Ebert Did It Better: Gasbag Reviews 