Tag: Criterion
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Criterion: The In-Laws (****1/2) life in serpentine
There are plenty of comedies of any era that don’t age well. Try one that work at such a human level, one would be hard pressed to avoid relating to it during any era.
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Criterion: Death Line / Raw Meat (**) because Brando couldn’t make it
This film will be more for those curious about the process of how we got from blood going down the drain in black and white in Pscyho to where film in the early ’80’s is so gross.
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Criterion: Further downstream of The Virgin Spring to The Last House on the Left
…it’s remarkable how far a medieval ballad can reach through time, even if what comes out on the other side holds little resemblance to the significance of the tale.
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Criterion: The Sword of Doom (***) doesn’t land flush
A weak third act tears down the momentum of what could be a classic film.
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Criterion: High and Low (****) Parasite from the age of the morality play
The director’s master of wide screen is such an art by this point that it feels like an entirely different story is being told for long, wordless passages.
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Criterion: Muhomatsu, the Rickshaw Man (****) – Life in your own lane
See this film if you want to smile, but don’t expect to go away with the idea that stoicism is easy. Even if Mifune makes it seem that way.
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Criterion: Samurai II: Duel at Ichijoji Temple – is giant
Musashi’s presence is undeniable as the burgeoning samurai. His is one of the giant characters in episodic history, every bit worth the value of the legend he represents.
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Criterion: I Live In Fear (*****) has reason on all sides
Kurosawa, Shimura and Mifune by this point are in full swing. There is nothing in the world that matches their ability to relay a story.
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Criterion: Samurai I: Musashi Miyamoto (****) begins a great adventure
This is definitely a star turn for Mifune, if there ever was one. His performance is exceptional and layered.
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Criterion: Scandal (***1/2) – Shimura steals the show
This is good Kurosawa, brought up by a great Shimura and steadied by Mifune.
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