The result is a good, not great first script. There are two fantastic moments and many good ones to boot. It's not much more than that, even as Tarantino's legend rises beyond what anyone imagined.
I am pretty sure most of those reading will not agree with my number 1, or even my number 9. That's okay though. Let me know your own list or thoughts in the comments.
The ending sends chills through me every time. Especially today, knowing that the end of El Camino is the last time I will ever see the deep story told within the eyes of Robert Forster.
One thing that should not be disputed by now is that Tom Holland is the best Spider-Man, and it's not even close.
"Em is excited at the prospects of this film. She looks forward to seeing Captain take over a leadership role with the Avengers. Conversations drift back and forth between characters as she imagines whose place she will supplant. This is not excitement for girl power. It's just a person who enjoys the evolution of the Marvel Universe. Will this supplant her love for Tony, Peter Parker or Loki? Does it have to? Em doesn't think so."
#Glass "...The film is a decent companion to Split. Neither of the latter movies really have the power of Unbreakable, which is still the director's masterwork. As it is, there've been two inferior sequels, but the trilogy still works if one can accept this as Night's vision and not ours..."
"...If you're going for an original story. You're not going to get it this time. The plot is literally the inverse of the first film...Is there any grand message to this film? Any overarching truth to be learned? Not a chance. Still it beats out even most Marvel films for enjoyment, if for no other reason than it never pretends to be "live action.""
There are many stories strewn throughout the wasteland of Skull Island. There is a point near the end, where we see a collection of ships that have been left abandoned there through hundreds of years. What happened to all of those people? It would be nice to get a hint of just a few of those stories.
This one is going to have to do for now. It's a good enough start that doesn't overstay its welcome. This alone makes it the best one yet.
Burton's instincts are tempered here. He's allowed the weirdness we normally get from him, but without any of the routine "no one understands how weird I want to be" normally pushed to the forefront. Having Green in the role normally reserved for Helena Bonham Carter infests certainly helps. Ultimately we get all of the benefits of the imagination of the creators with very few of the indulgences of a director who hasn't heard "no" when it comes to a budget since Superman Lives.
What I will do here will amount to more a list than anything. There will be a basic review and a best of and worst of for several facets of each film. I am kind of making it up as I go along, but I am sure this will be no worse than the script for Attack of the Clones.