Tag: Netflix
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Netflix’ Before I Wake (***1/2) – Living the rest of the dream
“The track record for Flanagan is astounding. His output is prolific and is always appealing. Every one of his films, even those he has adapted, feel like a part of a patchwork.”
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Netflix Circle (***) is sped up sociology
We deal with many societal aspects: racism, sexism, orientation, ageism. Points are made in a rush, because they only have a minute to vote. Then boom. Gone. On to the next angle of persuasion.
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Netflix and Scorsese’s The Irishman (***1/2) – Charge with a gun; with a knife you run away
The biggest challenge for this viewer is when it comes to true crime sagas, Scorese peaked with Goodfellas and he’s never really come close since.
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The Wandering Earth (***) is not far from Armageddon
“The producers consulted the Chinese Academy of Sciences, though what questions they asked is not immediately clear. I’d like to think I know at least as much as the average college graduate about the physical sciences, but they lost me when the Earth stopped rotating. ”
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Always Be My Maybe (***1/2) more comedy than romance
“Romantic comedies too often forget the second part of that description. Wong and Park put the emphasis on the comedy and leave the romance to fend for itself.”
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The Perfection: Music Nuts (***1/2)
“The Perfection is one of the few films in which the trailer seems to give it all away, but it really serves to set the viewer up for something entirely different. This is primarily a pleasant surprise. ”
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The Silence (*1/2) rightly gives up in the last act
Director John R. LeonettiScreenplay Cary and Shane Van Dyke based on the book by Tim LebbonStarring Kiernan Shipka, Stanley Tucci, Miranda Otto, John Corbett, Billy McClellan Just about the time when The Silence meets it’s ultimate antagonist, The Reverend (McClellan). My daughter came downstairs from studying. It’s her spring break, so of course she’s trying…
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Another Look: The Highwaymen vs. Bonnie and Clyde
“The Warren Beatty film has received a gentle critical wind in the ensuing years, remembered more for its groundbreaking violence than for any of the many nominated performances. In retrospect, its not a bad film, but it’s not a classic, either. The main thing it lacks is a cohesive story that’s not real accurate with…
